The Antithesis of DIY

 A few days ago, I came home from work to find my wife had spent most of the day watching YouTube videos about how to leverage AI into making extra income. She has some ideas of how to use AI to advertise the small business she's trying to start up. I don't begrudge her that, as we definitely don't have a budget for advertising. But she was pretty insistent that I should also use AI to help me produce and market my RPG products. 

I'm not a fan of "AI" as it currently stands. As I often say, it's very artificial and not very intelligent. I will admit, though, that the current crop of LLMs are MUCH better than just a year or two ago, at producing some simulacrum of human output. 

We've probably all seen examples of AI generated text that is impressive, and some that is not. Similar with images and video clips. Flynn often uses AI to generate pictures of his RPG characters. It's not that he doesn't have artistic talent, but the AI saves him a lot of time on something that isn't that important to him. He likes having a cool picture, but not enough to spend days or even weeks creating it. Again, I don't have a problem with that. It's for his personal use, not anything he's trying to sell. 

When it comes to producing content, though, even if it's something to be given away, I don't want to let AI do my creating for me. Ted posted a great essay on AI in RPGs the other day, conveniently. I'm in agreement with him. Yes, an AI could write, illustrate, and probably even format your RPG for you. I've been working on Missions & Mayhem for months now. Since last November or December, I forget exactly when I started (I should check my old blog posts). I spent most of 2025 working on the second edition of Flying Swordsmen, converting it to the d6 system. [It's still coming! Eventually...] I could have completed both of these projects months ago if I'd allowed AI to do the work for me. 

But would they be any good? Would they play well at the table, the way I want them to play? I doubt it. And would I actively turn off a portion of the RPG community by doing so? I'm pretty sure I would. 

The OSR and the Indie game scene both thrive on the DIY spirit. And generative AI is the antithesis of DIY. It's the ultimate plagiarism machine. 

Now, does AI have its uses? Yes. I admit to using a couple of AI generated images in my TS&R monster books. The elementals in TS&R Ruby for example. I couldn't find good images in the public domain. And when I tried modifying some images with GIMP, they looked like crap. Take a look at the golem illustration to see how bad I am at this stuff...although the golems came out looking much better than the elementals I tried to make did. But I state that up front in the front matter of the book, and it's a Pay What You Want title. Don't want to pay for something that has even 1 AI generated image in it? Then don't. Download it for free. 

Working on Missions & Mayhem, AI search has saved me a lot of time with gear and vehicle pricing. I don't need to sort through pages and pages of sales sites or whatever to see how much a fire extinguisher or a speed boat should cost. The AI assisted search can give me a plausible average price. I could make up a number, but this way I've got something reasonable. The game text itself, the rules and mechanics, I'm writing all of that myself.  

What's the difference? Well, in one instance AI is saving me a bit of time to provide a number that isn't super relevant to game play. In the other instance, AI would be doing my thinking and expressing of the ideas for me. One is lazy, the other is cheating. I'll admit to laziness, but I'm not about to ask people for money on something I'm cheating to produce. 

My wife was baffled (to get back to her). I had to explain the whole DIY ethos to her, and how using AI to crank out a bunch of slop game rules or adventure modules would turn a segment of the gaming population away from my work. 

I'm already producing games in a niche (Asian-themed fantasy, or Modern day action genre) of a niche (old school rules) of a niche hobby (RPGs). Yeah, there are the Shadowdarks making millions on Kickstarter and whatnot. And if I were to run a Kickstarter for M&M or FS2E, I'd only be shooting for a few thousand to help pay for art and layout/editing. I could probably make that happen. But I suck at promotion. 

Chanbara has been available for eight years now, and it's only an Electrum seller on DTRPG. My wife suggested I use AI to strategize marketing for it, M&M, and eventually FS2E. I might end up doing that, as it's really not my forte. I'm more of an Arneson than a Gygax.  

But I'm also now more committed to DIYing my games. 

I still plan to pay a few artists for artwork for Missions & Mayhem. But I'm also thinking I should just do a bunch of art myself. It won't be great, but it will be real art by a real human being.  My game may not be slick and polished with my own artwork gracing its pages, but it will be real. 

Movie Review: Star Wars The Mandalorian and Grogu

The Mandalorian and Grogu, the latest Star Wars movie, and a continuation of the Disney+ series, was released a week late here in South Korea. I just missed its US release date by a few days when I was back for Flynn's graduation. Then I had to spend a week avoiding nerdy YouTube channels and social media posts to prevent spoilers. Anyway, I finally saw it yesterday with Steven. 

Is there cursing in the movie?  The in-universe swear "dank ferrik" gets spoken a time or two. But despite Hutts being integral to the plot and Zeb Orrelios being a major supporting character, I don't remember any "bantha poodoo" or "kerabast" uttered. So a pretty clean movie, language wise, parents!

How was the movie itself? It was a really well done adventure movie that just happens to be set in the Star Wars universe. It carries the style and the themes of The Mandalorian onto the big screen. If you like the show, you're gonna like the movie. If you don't like the show, well, there's no accounting for taste. 

Seriously, though, it's not the high concept and high execution level of Andor. Mando has always been Star Wars for kids (which Star Wars always was) and the kids in us adults that grew up with Star Wars.  At its heart, TM&G is a movie about a father and son, trying to make their way in the universe. And it does it well. It's got good pacing, lots of action, fun moments, some emotionally tense moments and a lot of laughs. 

I think the movie benefits from not being shot on The Volume. While the show had some impressive backdrops, there were many times when it feels like the worlds are kinda empty when using The Volume (the Obi Wan series was worse than most Mando episodes for this, I think, but it's still an issue). There are definitely some CGI wonderland scenes, but a lot more of it was practical and you can see the difference.  

I've seen some people complaining about the puppet used for Grogu, but I still like it. While its movements aren't completely natural, the fact that Grogu, and the Anzellans (the little weirdo mechanics) are practical puppets in the scenes gives them more presence. Of course, I'm an old Gen-Xer who grew up with Sesame Street, Muppets, The Dark Crystal, and various other Jim Henson properties, and puppet Yoda. Young whipper-snappers can get off my puppet-appreciating lawn!

Long story short, if you think all Star Wars should be serious drama like Andor from now on (I get it, I do! Andor was GREAT!), you might be disappointed by this kid-friendly adventure movie. But if you like classic action-adventure, and like Star Wars, you're probably going to like it. 

Busan Con 2026 Day 2

 The second day of the 2026 Busan Con was yesterday (Sunday), and I had a full day. 

The first games started at 9:30. I was in an indie game called Goblin Quest. Matt was the GM (although the game says it can be played GM-less) and guided us through making our five goblins each, creating the quest we would go on, and then adjudicating the wacky hijinx we got into on the way. None of my goblins survived, but we managed to complete the quest just slightly over the time limit, and had a lot of laughs along the way. It's obviously a very narrative first/improv RPG, with lots of stuff decided on the fly and super simple rules. 

Fellow players included Elyse (my friend, who plays CoC and sometimes D&D with us), McKayla (who played in M&M the day before), Leo (who I'd met the day before and said M&M was a good idea to fill the niche of modern-era non-horror RPGs), and another guy whose name I've already forgotten but who only lost one goblin the whole adventure. 

After a too short lunch break, it was time for my Star Wars d6 game. Charles (one of my regulars), Ling (who played in my Classic D&D game last Fall), Jacob and Cindy (a couple who I just met) were my players. Rowan, one of the organizers of the con, was scheduled to play, but she was exhausted and over-stimulated so bowed out that the last minute, and I don't blame her.  

The adventure was the Coruscant Grand Ball, an adventure I'd originally run four years ago with my regular group. Charles hadn't joined us yet, so it was OK for him to play. He'd wanted to play in my M&M game on Saturday, but he'd just run through that one two weeks or so ago. 

The adventure played out pretty differently from the first go around. I made a few changes, as well. Instead of "social combat" I made a chart of the three suitors' attitudes towards the five debutantes, and their pre-scripted interactions were set, but then PC actions could countermand or enhance the effects of the events that were scripted to play out. 

This group of players actually spent a lot more time BEFORE the event, trying to tarnish the reputation of the other debutantes or learn what might help endear Marjon the Hutt to the other suitors. I had to shorten the interactions of the Ball itself in order to fit into the time slot. I also dropped the Zygerian slaver attack, although I had that waiting in the wings. 

In the end, everyone had a good time (and too much Tattooine Spice), and we never had a combat. Also, yes, they got Marjon to dance with the hunky Togruta playboy, rather than the nerdy Bith artist or the biz-bro Arcona exec's son. 

We had a bit more break time before the evening game, so I went to a nice Japanese restaurant nearby. Rowan and two of her friends dropped in when I was halfway through my gyudon, so I joined them and we discussed Stranger Things Season 5 as we ate. They had very different takes on the season than me, mainly stemming from the lazy writing (which I agreed with) and their disappointment with the teased Will-Mike romance never happening (something I didn't think the writers were actually teasing, but that's my straight perspective vs their LBGTQ+ perspectives). Despite the disagreements, we had a civil discussion. 

Anyway, on to the final game. Richard (our usual Keeper) ran Call of Cthulhu. I pulled up one of my old characters who'd survived and not gone mad, the rum-runner Monte Perrineau. Fellow players included Rowan, Chris (who works at the same uni as me, but we've strangely never played an RPG together until last night), Keith (who ran Cyberpunk for me last fall and in Daegu last year for Flynn) and his girlfriend Cray (who was also in the Cyberpunk game), and Alan (who I've been acquainted with through Halloween events for quite a few years, and who delivered a big box of 1/72 miniature knights and a castle to me on Saturday so we can maybe play some Chainmail at a future event). 

We all did our best to stay in character, using our funny voices. I was exhausted from the long day, and still a bit jet lagged from our recent trip to the USA, so I struggled a bit, but managed to stay awake through the whole game. Rowan was also yawning a lot at the end. But we managed to "solve" the mystery, rescue Rowan's character's friend, and only Alan's doctor went a little crazy. It was a good time, but it finished at 11pm. Long day. 

Scott and Shane had been giving out tokens all through the two days, and had prizes that could be purchased. I had one after the CoC game, and got a capsule with a bunch more tokens. That got me an RPG setting book I'll probably never use (for 5E) and a set of mini dice. 

And that's about it for the con. A successful event, and much bigger than the one Justin and I put on last fall.  

Success!

 Day 1 of the 2026 Busan Con has come to a close. I didn't have any games in the morning, because I was thinking I'd either be too tired from my trip to the USA, or I'd want to go see The Mandalorian and Grogu. Well, M&G doesn't open until next Wednesday in Korea, but I was kinda tired. So it's a good thing I didn't sign up for any morning games.  

I did show up early, and talked to some fellow gamers. After lunch, and a bit more chatting, my Missions & Mayhem game started. I had three players: Jonathan (who also goes by JB, but not the BX Blackrazor JB), McKayla, and Sterling. Sterling was playing his second ever session of an RPG, after his first during the morning session. I'd met Jonathan last fall and knew McKayla was there although I didn't get to talk to her then.  

I'd sent them five pre-gen characters to choose from, and they all had one they liked decided. We spent some time going over the basics of the game, and they had some questions (including some that suggest improvements I could make to the game). When they were ready, I gave them the premise of the scenario I'd prepared (they were all psychics trapped in a government research facility, and suddenly their power-dampening collars all switched off -- Go!). 

It played out very differently than when I ran the adventure with my regular group, which is no surprise. It's not a railroad adventure. Sterling, after it was done, even commented that it was a lot more open and less structured (narratively) than his morning game. There was investigation, there were crazy schemes, there was a bit of combat, there were attempts to manipulate, and of course plenty of use of the psychic powers. 

The players weren't really in a situation where they could use the I Know a Guy rule (although they loved the concept!), but they did use the Gamble mechanic a lot. McKayla used five out of six ability scores to gamble along the way, and Jonathan and Sterling each used three (I think). 

The psychic powers were useful, but definitely not overpowered at low level. They only had 2d4 rolls for activation, so only the lower two tiers of effect were possible without a gamble and a lucky throw...although McKayla pulled that one off. 

The combat was also fun, as they didn't only swing and do damage. They used a combination of normal attacks, subdual unarmed strikes, psychic powers, and special maneuvers during the fight. That shows me the game can be dynamic in combat, not just roll to hit, roll for damage ad nauseam.  

They did not escape from Facility 826 in the end, but the ending to the adventure they did get was satisfying (the 'bad guy' trying to recruit them into his psychic strike force), and the twist [no, not gonna tell you what it is] was a surprise but also made other things make sense to them. So that also went well. 

The feedback from the players was positive. They thought the game was simple to explain, easy to understand the mechanics - especially after they started playing, and they liked how it fit together. They also liked how the mechanics seem to fit the mood of an action flick. Before the game started, talking to some other gamers, one guy mentioned that he didn't know of many modern era RPGs that weren't supernatural or zombie themed. He thought this was a good niche to fill. 

I've got some good notes for more changes (streamlining) and I'll hopefully get those into the playtest document soon. 

In-Flight Movie Capsule Reviews

 I just returned from the USA. Flynn graduated high school. It was a good trip home, and it was great to see a lot of friends and family while we were back. 

I watched four films I hadn't seen before and one rewatch during both long-haul trans-Pacific flights. Here are a few thoughts. And no, not all of these movies are brand new, but they're ones I hadn't seen before. 

Also, the films were edited for content so curse words were removed from the films. No comment on how dirty the films' language gets unedited. 

On the flight to the US: 

Legends of the Condor Heroes: The Gallants (Tsui Hark, 2025)

Any surprise that this type of movie would be my first choice? Probably not. This was a fun wuxia action movie, with some well done stunts, CGI, and fight sequences. The story felt a bit jumbled or rushed at first, and sometimes it wasn't clear what was flashback and what was the current narrative. But once the protagonist Guo Jing and his love interest Huang Rong were introduced and the stakes were set, we get a pretty good martial arts/love triangle/political/war movie. 

I suspect the English subtitles of the version I watched were AI translations, due to inconsistent usage and a few other clues. That may have contributed to the disjointed feeling of the beginning.  Otherwise, a fun watch...but a little long, around 2.5 hours. Not bad if you're on a 13 hour flight. 

Blade Runner 2049 (Denis Villeneuve, 2017)

One I'd been wanting to watch for almost a decade now, but just never found the time to sit down and watch. Well, after a considerable nap following Condor Heroes, I cued it up. I really enjoyed it. There was less action that what I had been expecting, but the mystery that the replicant detective Joe follows was compelling and made for a fitting continuation of the themes of the original film. Some great acting, moody set pieces, and just the right tone. 

On the return flight to Korea: 

The Naked Gun (Akiva Shafer, 2025)

A sequel/reboot of the classic Zucker/Abrahams/Zucker comedy franchise. It was pretty funny, I'm not gonna lie, and I think Liam Neeson was a good choice for Frank Drebin Jr. But honestly, the writing wasn't quite as sharp as I remember the originals [although it has been many years since I've seen them], or maybe Neeson's comedic timing just isn't as sharp as Leslie Nielson's was. I enjoyed it, but I think there could have been a bit more silliness and a bit tighter editing/pacing of the non-sequiturs may have improved it. 

Tomorrowland (Brad Bird, 2015)

This one completely passed me by when it was released a decade ago. I didn't know anything about it other than the blurb on the in-flight menu [Something along the lines of "Older disgruntled scientist and optimistic teen team up to save a world outside time and space."] It's obviously inspired more or less in name only by the Tomorrowland Disney attraction, like the Pirates of the Caribbean films. And while it's a pretty typical Disney family-friendly feel-good movie, it was fun to watch and had some good character development. Bird is the creative mind behind The Incredibles, after all. I liked it, and the ending made me reminiscent of watching Disney stuff as a kid and feeling hopeful for the future. 

Superman (James Gunn, 2025)

 No notes. Go read my original review of the film for my thoughts. 

Busan Con 2026 is coming up

The next game con is right around the corner. 

I'm heading back to the USA in two days, for my son's high school graduation. I'll get back the following Thursday evening, and the con is on Saturday and Sunday. I didn't sign up for any Saturday morning games just in case a) I'm still jet lagged and b) I don't feel up to seeing The Mandalorian and Grogu on Friday. If I'm too jet lagged on Friday to see the movie, I'll rest up and see it Saturday morning. If I can see it on Friday, I'll ease into gaming on Saturday. 

Oh, if anyone's curious about the variety of games and workshops on offer this time, here's the website. 

 This event is being organized by Scott and Rowan, who organized the Daegu One-Shot Extravaganza last year, and gave Justin and I some assists last fall with our own con. 

I'm running Star Wars d6 and Missions & Mayhem. I just finished up the M&M pre-gens this afternoon. The adventures for both are also ready.  I'll be playing in a game called Goblin Quest, which sounds silly and similar in premise to Kobolds Ate My Baby, and also in Richard's Call of Cthulhu game. 

 There are quite a few games on offer that I'd like to try out, but most of them are at the same time as the games I'm running. Next fall, if Justin and I run another con (we probably will) I may limit myself to just one game as GM so I can play a bit more. And that game may be an Arneson-inspired Chainmail tabletop game (more competitive adventure than wargame?) as one of the new folks (well, I know him from Trunk-or-Treat events) is interested in some wargaming, and I know Peter and Justin are as well.  

Rebuilding Chesterton's Fence

 There's been a lot of discussion lately in various (mainly political/economic) news & commentary that I consume lately. If you don't know, Chesterton's Fence is the idea that you don't tear down a fence unless you understand why that fence was put up in the first place. I'll let you draw your own conclusions to what self-styled super-genius's actions the media I was consuming was referencing to (there's more than one, to be honest). 

In terms of D&D and other RPGs, this is solid advice. We often, especially those of us in the OSR and the weird confluence of OSR and indie/narrative/story-first gaming circles, tell new GMs to "homebrew to make it your own game" or roll out adages like "rulings over rules." But if you don't know why those rules were there in the first place, you're likely to do more damage than improvement. 

I watched this video about improving 5E play earlier today. I'm still involved in two play-by-post 5E games (same GM), but I don't have much interest in the game itself these days. Still haven't bothered to look at the 5.5E rules yet. But at the same time, it's good to have some idea of that play culture. Especially in light of the (now cancelled, unfortunately) GM workshop I was preparing for.  

If you don't want to watch, he's talking about how the 5E "long rest" mechanic takes away tension and resource management, and ways to bring those back by limiting or putting conditions on the long rests. No arguments, no notes. He's right. If you want to play 5E, those are good things to do. 

While watching the video, I couldn't stop thinking of how WotC tore down Chesterton's Fence when they made 3E D&D and their subsequent versions either because they just didn't know what they were doing, or because there was pressure from players to take out the "suck" from the game. Actually, this may have started with TSR people in the late 80s/early 90s, around the time of 2E AD&D now that I think of it. I guess there's just been an accumulation of Chesterton's Fences being kicked down in the game over the decades.

And now, the younger generation is rebuilding some of those fences. It makes me happy to see that. Gygax and Arneson, for all their faults, ended up designing a great little game. And a lot of the decisions they made way back in the early 70s were integral to good game play. Resource management (including rests) may be boring and sometimes tedious, and it may not be something that emulates the heroic fantasy fiction that inspires our games. But without it, where's the game?